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    • 2021
      • Issue 41; April-May (2021)
      • Iranian Edition (Vol II) – Issue 40; March (2021)
      • Iranian Edition (Vol I) – Issue 39; March (2021)
      • Issue 38; February (2021)
      • Issue 37; January (2021)
    • 2020
      • Issue 36; November (2020)
      • Issue 35; LGBTQ+ Vol I (Oct), 2020
      • Issue 34; September, 2020
      • Issue 33; August, 2020
      • Issue 32; July, 2020
      • Issue 31; May-June (Vol II), 2020
      • Issue 30; May-June 2020
      • Issue 29; March-April 2020
      • Issue 28 – Israel – JanFeb, 2020
    • 2019
      • Issue 27; Nov-Dec 2019
    • 2018
      • Issue 26 – India | Kashmir (SALF) 2018
      • Issue 25 – Pakistan (SALF) 2018
      • Issue 24 – Sri Lanka | Bangladesh (SALF) 2018
    • 2017
      • Issue 23; November-December 2017
      • Issue 21; July-August 2017
      • Issue 20 – May-June 2017
      • Issue 19 – March-April 2017
      • Issue 18-Jan-Feb 2017
      • Issue 17-Jan 2017-NYPS Special
    • 2016
      • Issue 16-Nov-Dec 2016
      • Issue 15 – Sept-Oct
      • Issue 14 – July – August
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      • Issue 12 – March – April
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    • 2015
      • Issue 10 – Nov – Dec
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    • 2014
      • Issue 04 – Nov-Dec 2014
      • Issue 03- October 2014
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    • 100 Notable/Best Books of Fiction from India – 2020: by The Bombay Review
  • Workshops & Courses
    • Creative Writing Workshop | Fiction/Essay – TBR offered.
    • New & Upcoming Writing
    • Creative Writing Workshop | Fiction/Essay
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  • Awards & Grants
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    • Student Writing
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    • South Asian Literary Forum 2017
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    • The Bombay Review Covers
    • Praise for The Bombay Review

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  • Home
  • About/Contact
    • About Us
    • Contact
    • Jobs and Internships
    • Contributors
  • Archives
    • 2021
      • Issue 41; April-May (2021)
      • Iranian Edition (Vol II) – Issue 40; March (2021)
      • Iranian Edition (Vol I) – Issue 39; March (2021)
      • Issue 38; February (2021)
      • Issue 37; January (2021)
    • 2020
      • Issue 36; November (2020)
      • Issue 35; LGBTQ+ Vol I (Oct), 2020
      • Issue 34; September, 2020
      • Issue 33; August, 2020
      • Issue 32; July, 2020
      • Issue 31; May-June (Vol II), 2020
      • Issue 30; May-June 2020
      • Issue 29; March-April 2020
      • Issue 28 – Israel – JanFeb, 2020
    • 2019
      • Issue 27; Nov-Dec 2019
    • 2018
      • Issue 26 – India | Kashmir (SALF) 2018
      • Issue 25 – Pakistan (SALF) 2018
      • Issue 24 – Sri Lanka | Bangladesh (SALF) 2018
    • 2017
      • Issue 23; November-December 2017
      • Issue 21; July-August 2017
      • Issue 20 – May-June 2017
      • Issue 19 – March-April 2017
      • Issue 18-Jan-Feb 2017
      • Issue 17-Jan 2017-NYPS Special
    • 2016
      • Issue 16-Nov-Dec 2016
      • Issue 15 – Sept-Oct
      • Issue 14 – July – August
      • Issue 13 – May – June
      • Issue 12 – March – April
      • Issue 11 – Jan – Feb
    • 2015
      • Issue 10 – Nov – Dec
      • Issue 09 – September – October
      • Issue 08 – July – August
      • Issue 07 – May-June 2015
      • Issue 06 – Mar-Apr 2015
      • Issue 05 – Jan-Feb 2015
    • 2014
      • Issue 04 – Nov-Dec 2014
      • Issue 03- October 2014
      • Issue 02- September 2014
      • Issue 01- August 2014
  • Submit Your Work
    • 20 Under 30 – Writers from South Asia (print, 2022)
    • Publication Policy & Copyright
  • Writing Resources
    • Top Literary Magazines: India/Asia
    • Top Literary Magazines: The Middle East
    • 20 + 1 Canadian Literary Magazines to submit your Creative Writing to.
    • Writing Competitions and Awards for you (2020 – 2021)
    • 100 Notable/Best Books of Fiction from India – 2020: by The Bombay Review
  • Workshops & Courses
    • Creative Writing Workshop | Fiction/Essay – TBR offered.
    • New & Upcoming Writing
    • Creative Writing Workshop | Fiction/Essay
    • Creative Writing Course | Essay
    • Creative Writing Course | Poetry
    • Creative Writing Course | Short Story
    • Creative Writing Courses | Students & YA
    • Creative Writing Workshop | Haibun
    • Feedback
  • Awards & Grants
    • Awards, Grants and Paid Opportunities
    • Grants for Literary Communities
    • The CPB Young Writing Fellowship
    • New Dalit Writing
    • Writing Competitions and Awards for you (2020 – 2021)
  • Events
    • United Kingdom (Cheltenham) – TBR Literary Event
    • Nigeria (Minna) – TBR Literary Event
    • Australia (Brisbane, 2020) – TBR Literary Event
    • Ireland (Letterkenny) – TBR Literary Event
    • Pakistan (Lahore) – IndoPak Project by TBR
    • Saudi Arabia (Jeddah) – TBR Literary Event
  • For Students
    • Student Writing
    • Creative Writing Courses | Students & YA
  • More
    • Author Portraits
    • Interviews
    • Non Fiction
    • Student Writing
    • Indo-Pak Project
    • South Asian Literary Forum 2017
    • Student Writing
    • The Bombay Review Covers
    • Praise for The Bombay Review

Interviews

Interview of Madhukila Liddle by Swara Shukla

Interview of Mineke Schipper by Swara Shukla

Interview of Annie Zaidi, by Huda Merchant

Interview of Anita Nair, by Kaartikeya Bajpai

Interview of Akhil Sharma, by Kaartikeya Bajpai

Interview of Kanishk Tharoor, by Kaartikeya Bajpai

Interview of Ranjit Hoskote, by Kaartikeya Bajpai

Interview of Ulrike Almut Sandig, by Nandini Varma 

Interview of Chandrahas Choudhury by Kaartikeya Bajpai

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Praise for The Bombay Review

“Passion, a sense of play, and intelligence are crucial to any new venture that wants to make a mark.” – Amit Chaudhuri, author, ‘The Immortals’ and ‘Odysseus Abroad’

“TBR is both intelligent and dynamic and I love its energy and choice of writing showcased.” –Anita Nair, author, ‘Idris: Keeper of The Light’

“I cannot think of a more stylish magazine in India than this one.” – Manu Joseph, former editor of Open magazine, author, ‘Serious Men’

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Follow the Magazine

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Awards, Grants & Opportunities

Praise for The Bombay Review

“Passion, a sense of play, and intelligence are crucial to any new venture that wants to make a mark.” – Amit Chaudhuri, author, ‘The Immortals’ and ‘Odysseus Abroad’

“TBR is both intelligent and dynamic and I love its energy and choice of writing showcased.” –Anita Nair, author, ‘Idris: Keeper of The Light’

“I cannot think of a more stylish magazine in India than this one.” – Manu Joseph, former editor of Open magazine, author, ‘Serious Men’

More…

Listed at

DuotropeEvery Writer’s Resource Helter SkelterHindustan TimesHimalayan Writing RetreatReadoscopeNiyogi Books

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