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Issue 36 – NovDec, ’20
Issue 35 – LGBTQ+ Vol 1 (October, 2020)
Issue 34 – September, ’20
WRITING FROM RECENT EDITIONS
Poetry | ‘On Not Having Written King Lear’ & ‘Dinner in Xanadu’ by Michael Lavers | Issue 37 (Jan, 2021)
Michael Lavers teaches poetry at Brigham Young University, Utah. He is the author of After Earth, published by the University of Tampa Press. His poems have appeared in Crazyhorse, 32 Poems, The Hudson Review, Best New Poets 2015, TriQuarterly, and the Georgia Review. He lives with his wife, writer and artist Claire Åkebrand, and their two children, in Provo, Utah. He won the £5,000 Bridport poetry prize with his poem ‘Low Tide’, in November, 2020.
Pulitzer nominated Ricardo’s poems have appeared (and/or will soon) in Ambit, American Journal of Poetry, American Poetry Review, Birmingham Poetry Review, Blackbird, Boston Review, Burnside, The Common, december, Ekphrasis, The Fiddlehead, Hudson Review, Ilanot Review, Island, Kenyon Review, New England Review, Plume, PN Review, Poetry, Prism, Quadrant, Southern Review, Stand, Vayavya, Virginia Quarterly Review, Volt, among many other journals.
Tom’s work has been published in The New Yorker, Harper’s, Zoetrope, Boston Review, The New England Review, The O. Henry Awards and twice in the Pushcart Prize. His first collection, Scar Vegas (Harcourt), was a New York Times Notable Book of the Year and a Pen/Hemingway finalist. A graduate of Princeton and the Columbia MFA program, he is a professor in the MFA program at the University of New Hampshire.
Despy Boutris teaches at the University of Houston, works as Assistant Poetry Editor for Gulf Coast, and serves as Editor-in-Chief of The West Review. Her work has been published in American Poetry Review, American Literary Review, Copper Nickel, The Journal, Colorado Review, Prairie Schooner, and elsewhere.
Craig Loomis is Associate Professor of English and Head of the Division of Humanities and Arts at the American University of Kuwait. His work has appeared in The Iowa Review, The Colorado Review, The Prague Revue, Sukoon Magazine, The Maryland Review, The Absurdist, The Louisville Review, Bazaar, The Rambler, The Los Angeles Review, Five on the Fifth, The Prairie Schooner, among other places.
‘An Indian gothic drag art performance’ – A photo essay feat. Patruni Chinanda Sastry | by Saumya Kalia | LGBTQ+ (Vol I) – Issue 35
Where patriarchy ends, expression begins: An Indian gothic drag art performance The lore of vishkanya is intoxicating in its effect on the Indian cultural discourse. The “poisonous maiden”, enrobed in myth and legend, carries an ominous mark. It is a secret that hangs heavy in the air; neither fully embraced, nor completely eschewed. It passes on in grim… More
Susan Bloch’s essays have won a prize in the Travelers’ Tales Solas Awards and received a notable mention in Best American Essays 2017. Her short stories and essays have been published in a variety of magazines and literary journals, including The Forward, Entropy, The Citron Review, STORGY, Pif Magazine, Tikkun, and HuffPost. A lifelong traveler, she lived in South Africa, New York, Tel Aviv, London, and Mumbai before alighting in Seattle.
Lorenzo Berardi is an Italian journalist and author living in Warsaw, Poland, where he works in marketing. As a freelancer, he covers Central Eastern Europe for several media outlets and is the co-editor of Centrum Report. His fiction and poetry have appeared in American, British, Canadian, and Italian publications.
Mark Anthony Jarman currently teaches at the University of New Brunswick. His novel, Salvage King Ya!, is on Amazon.ca’s list of 50 Essential Canadian Books. He has been short-listed for the O. Henry Prize and Best American Essays, won a Gold National Magazine Award in nonfiction, the Maclean-Hunter Endowment Award (twice), and the Jack Hodgins Fiction Prize. A graduate of The Iowa Writers’ Workshop, a Yaddo fellow, he has previously taught at the University of Victoria.
Kankana Basu is a Mumbai based writer. Her novel Cappuccino Dusk (HarperCollins India) was Long Listed for the 2007 Man Asian Literary Prize and and she has two collections of short stories: Vinegar Sunday (Indialog Publishers) and Lamplight: Paranormal Stories from the Hinterlands (Pan Macmillan).
She reviews books and writes human interest stories for The Asian Age, The Sunday Hindu and The New Indian Express, and also assists in the Bengali-to-English and cinematic translation of the works of her grandfather, the late Bengali writer, Saradindu Bandopadhyay (creator of the bhandralok detective, Byomkesh Bakshi).
Vivek V. Narayan is a writer, performance-maker, and scholar. He graduated from Stanford University with a PhD in Theater and Performance Studies, is an alumnus of Royal Holloway, University of London (on a Charles Wallace India Trust Award), and of St. Xavier’s College, Mumbai.
He currently serves as Assistant Professor of Performance Studies at Ashoka University. His writing has appeared in The Caravan, J-CASTE, The Hindu, Fountain Ink, AZURE (3:4, 4:3), and The High Window.
Sohrab’s first book, Ticket to Minto: Stories of India and America, was the first by an Asian American to win the Iowa Short Fiction Award. His novel, Go Home, was shortlisted by Stanford University Libraries for the William Saroyan International Prize. An excerpt, ‘Distant Vision,’ in Slice was nominated for a Pushcart Prize. He taught literature and creative writing at University of North Florida and was Visiting Writer in Residence at Augsburg College. He was an artist in residence at Yaddo and a Florida Individual Artist Fellow in Literature/Fiction. The South Asian Literary Association (that’s right, SALA) bestowed on him its Distinguished Achievement Award.
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