Poetry | ‘You Will Never Know’, ‘I Was Not Born This Way’ by Priyanjali Negi (15) | School Student Writing

You Will Never Know

It has been almost a year since you left us alone,
And here I lie on my bed recollecting our last conversation over the phone.
Far away from each other,
But the emotions in our hearts were the same. 
My own little brother, 
And I never knew how well he played this hiding game.
During that silence, I went down memory lane.
It seemed quite pleasant then,
But now it pricks my heart causing a severe pain.
Remember, how once in school you were dressed as a fairy 
Is it okay to say that your absence has now become hard to carry?
These old videotapes of you with dad,
Just makes me more helpless and profoundly sad.
Do you know? I still send you messages on the phone.
I still make coffee and listen to “Here Comes the Sun” until dawn.  
No one knows that I sleep with your photo under my bed,
So that when you go to sleep you come to kiss me on my forehead.
I guess you will never know that I still divide my Maggi into equal halves of two,
And trust me.
There are times; I wish I were dead instead of you.


I Was Not Born This Way

I was not born this way
I know I am not unique,
And my thoughts do not belong here.
That is what makes me unable to speak,
And people think I don’t care.

I like to be alone,
I like to stay quiet,
There is an unseen pain in my tone,
As if each day my survival depends on a fight.

A fight not with the people,
A fight not with the world,
But a fight with the evil,
Which on my behalf is truly undeserved.

I sometimes wonder what I have grown into,
And wish for the child in me back.
The child who was always happy,
The child who was never sad.
The child who would be probably be laughing at me,
Looking at the things that I now lack.

Priyanjali Negi is a 15-year-old student from Delhi. She studies at Carmel Convent School. Her favourite poets is Alfred Tennyson and her favourite writer is Ruskin Bond.

Short Fiction | ‘An Unexpected Rendezvous’ by Simran Aneja (14) | School Student Writing

It was a moonless, rainy night and I was curled up on my couch under a warm blanket, sipping a cup of steaming hot chocolate filled to the brim with fluffy marshmallows on top. I was reading The Murder on the Orient Express by Agatha Christie which perfectly fit the mood of the evening.

The book’s sense of mystery and suspense was what invited me to it in the first place. Today’s evening was a relatively pleasurable one when compared to other recent ones, considering the late-night shifts at my new workplace.

Outside, the rain came pouring down, as if a celestial dam had broken open and the Gods were celebrating. It resembled the sound of a thousand sticks hitting the surface of a drum all at once.

I switched on the radio to catch up on the latest news. The signal was weak, owing to the heavy showers. As soon as the radio was able to catch a slight signal, the speaker announced, “We have been notified by concerned authorities, that there is a serial killer on the loose. We request you to stay calm…advise you to stay indoors…lock…doors and windows…go outside only if it’s an emergency…the serial killer is described as a m–”

I’d lost the signal! I was petrified as I realised that I wouldn’t know if the serial killer was in my neighbourhood. Tensed, I got up and paced around the room, thinking of a possible solution. Out of the corner of my eye, I saw the ancient sword that had been in my family for centuries. I felt slightly reassured–if I were to have an unexpected rendezvous with the serial killer anytime soon, I could use the sword in self-defence.

Satiated with security, I walked back towards the couch. As I was about to slip under the warm blanket and return to my book, I heard a loud, firm knock on the door. Horror struck, I plodded towards the door. I looked through the peephole and saw a man. He was crying and looked as if he had no money on him. I opened the door and asked him how I can help him.

He cried out, “Madam, I’ve heard that there is a serial killer on the loose. I am an innocent beggar and I sleep on the pavement. I have got absolutely no place to go. I am extremely terrified, Madam. I do not wish to die.”

Wailing, even louder, he continued, “Madam, I…I’ll…I’ll give you whatever I have. I request you, Madam.” He handed me a fifty pence coin from one of his pockets. My mind told me I shouldn’t be doing this, but my heart felt differently so I invited him inside. I sat him down on one of the sofas, and ran to get him a blanket and something hot to drink. I returned soon, only to witness a shocking sight. I was at a loss for words.

The beggar was holding the ancient family sword, as he flashed me an evil smile and said, “In your next life, on an eerily silent, moonless, rainy night, never let a stranger in.”

Simran Aneja is 14-year-old student at Mayo College Girls’ School, Ajmer. She enjoys writing poems, essays and short stories. Her favourite writer is Chitra Banerjee Divakaruni.

Poetry | ‘Dauntless Dreams’ by Subhanjali Saraswati (18) | Student Writing

Paranoia glared through the windows,
She started melting under the heat
Inch by inch,
She lost pounds, sterlings, dollars.
The counties were long gone,
It was now time for the countries.
Perhaps,
Gone were the days the ice melted.
It was frozen still today,
The roads, the ravages, the restless pace.
Crossed by a bullet would have been easier
Simpler even.
Wrath ran through the veins,
Just as throats stopped croaking,
The stomachs synced to a stop.
Pouring thoughts dried up,
Even the moments demanded to be unfelt.
Grains had at last churned death.

The drains were pouring,
Flesh, bones, blood seemed united.
Borne or Born,
Pinned onto a single thought.
Plagued minds ruled the worlds.
Twists, turns, all were straights.

Perfect lines. Dotted I’s.
Traces of laced life.
Dashed through the vigilance.
Worn nails varnished in the pages of history.
Bane? Liquor drove the healthy.
Myriad magic, the sane.
Trash cans lifted to tables,
Torn paper traced into perfect circles.
Lives un-longed for, deaths de-glorified.
Demands dressed in dreams,
Doused in amnesia,
Arousals arrested in anarchy.

Drought was scarce,
Sanguine floods crashed humanity.
Fierce Fire forested in few farms.
Passive lives ran out of machines.
Mannerisms murdered,
Streaked past Survival.

Uncouth vehemence vandalised
Deep sweet darkness.

No light, no right,
Not a penchant of twilight.
Midnight hues were well past.
Paranoia ruled Paris tonight.
Her dust opened doors.
Damsels had departed distress,
Doom was thus ‘daughter-ed’.
Dimensionless depth swept clean,
Directions diverged into allegiance,
All to the beats of her breath.

Subhanjali Saraswati is an 18-year-old first year undergraduate student at University of Hyderabad. She is studying Political Science. Her favourite poet is John Donne.

Student Writing

A new section showcasing young voices in fiction, poetry and non fiction; featuring writing from students in schools and universities aged 19 or below.


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Poetry | ‘It’ by Rachel Deyis (18) | Student Writing

I feel it shift inside me, this wild, furred thing that has uncurled itself from the slumberous warmth of my belly  and climbed the rungs of my ribcage to settle within my chest. For weeks it has been still, all flickering eyelids and gentle prodding, but today its eyes blink wide open, awake- silvered claws…

Poetry | ‘Dauntless Dreams’ by Subhanjali Saraswati (18) | Student Writing

Paranoia glared through the windows,She started melting under the heatInch by inch,She lost pounds, sterlings, dollars.The counties were long gone,It was now time for the countries.Perhaps,Gone were the days the ice melted.It was frozen still today,The roads, the ravages, the restless pace.Crossed by a bullet would have been easierSimpler even.Wrath ran through the veins,Just as…

Poetry | ‘Fate of the Forgotten’ by Chandana. D (15) | School Student Writing

There goes the isolated fishermanIn his desolate wooden boat,Trying his best to be restrained fromAll the misery that poverty connotes. The sun has set,The incessant time goes.Lost in the sea of the forgotten,The abandoned fisherman rows. Maybe if it was not him,That hope had parted so badly within,He would have probably been laughing,With his beloved…

Poetry | ‘Glass Grows’ & Other Poems by U. Sai Sruti | School Student Writing

Glass Grows we live in a glass worldglass dolls and glass mindsgrowing out of glass junglesglass bodies cracking and greenthis glass shatters in this glowing streamof green blood and green heartsbleeding blackening greasegreen governments eyeing the glass greenand piercing glass into these bodiesthat spew their spleen of earth-shattering greenglass breaking, burning, brewingglass minds that grow…

Poetry | ‘Clueless Nights’ by Ashaani Taneja (15) | School Student Writing

I sat on the muddy brown boulders,to watch the sun go down,to see the beautiful night,I felt the calmness as my hair swayed with wind,and my wings, which were collapsed earlier,rose and flapped in the wind,cutting the current with its black feathers,which came out of my wings,blew towards the setting sun.Through the cracks in the…



Poetry | ‘Fate of the Forgotten’ by Chandana. D (15) | School Student Writing

There goes the isolated fisherman
In his desolate wooden boat,
Trying his best to be restrained from
All the misery that poverty connotes.

The sun has set,
The incessant time goes.
Lost in the sea of the forgotten,
The abandoned fisherman rows.

Maybe if it was not him,
That hope had parted so badly within,
He would have probably been laughing,
With his beloved kin.

Maybe if it was not his cup of resistance,
That had been fed to the brim,
Then it might not be today that he had to face
The question of his existence.

Is it his mistake that he is a misfit?
And to have no special light to emit,
At least he tries to counterpart,
Always trying to find a fresh start.

His mother did nothing but accuse
That her son’s fit to do nothing, but misuse,
But what sin is it to be born disabled,
It’s just like a leg being separated from a table.

The world had rejected him
And averted his presence,
As if that was not enough,
It said that tending him had no sense.

He had always been the jetsam of the ship,
Nothing but a dead fish, a dead nomad.
No one to lead, but hundred and one to preach the quip
“To gain something, loose something my lad.”

Now the poor fisherman can take no more!
If only he had been allowed to bloom,
Like an eagle, he would soar,
And considered his life beyond a boon.

The word is the only one to be blamed,
For the poor man’s hunger and pain
And finally, it made him close his eyes
Never to be opened again.

Chandana. D is a 15 year old, who aspires to highlight the momentous, but often self-effacing and unnoticed segments of life through poetry. She is currently studying in grade 10 at Viswasanti High School, Vijayawada, Andhra Pradesh.

Short Fiction | ‘The Canvas’ by Ramyani Bhattacharya (19) | Student Writing

I.

The train was scheduled for 8 in the evening so I had enough time to spend with the city which had been my home for the last six months. My bags were already packed and gathered in the middle of the room. Having informed Shankar that I was going out, I made my way towards the ghat[1].

Sitting on the steps of Dashashwamedh ghat[2] with a lemon tea in hand, I realised that Benares had always had a certain charm. I beheld the Ganga in front of me, the sun glistening on its surface and the rhythmic waves dancing. I sipped on the tea and stared into space, fixing my eye on a boat standing at the shore of the other side of the holy river.

I sighed.

I wished I could see her one last time before I left the city. I didn’t know why I had a feeling that I would never return to Benares again, that some unknown divine conspiracy would prevent me from coming here. I was constantly tormented by the lingering loss that gnawed at my heart.

I closed my eyes and there she was–a clean white saree[3] draped across her chest–heaving up and down–her hands poised and her head tilted to the left. She stood there, sophisticated, in the middle of my consciousness, mocking my cognitive abilities to hold her in place, her eyes, glowing, calling me. 

“Dada[4].” A soft voice brought me back to reality. I looked around to see Shankar sitting beside me. “I knew you would be here.” 

I smiled. Shankar was my cousin brother. He had a string of shops in Benares and lived there with his wife and a 6-year-old son. 

“So you will not sell it?” He lit a cigarette. 

“No,” I replied, not looking at him.

“It’s a lot of money, Dada.” 

“Doesn’t matter.” 

I saw him looking away, knowing it was futile to even try to persuade me. 

I sighed again, heavily, which didn’t release the stress I thought it would. 

When we came home, it was around 6:30 p.m. and I knew my time here had ended. The railway station, Mughal Sarai, was particularly crowded when we reached there. I didn’t have much luggage, only a suitcase with my clothes and necessities, and a bag to carry the Canvas and other essentials. 

I sat down on a nearby bench to wait for the train to arrive. Shankar had come to see me off but I wanted desperately to be alone for a while; to drown in my own misery. To be honest, I didn’t want to go. My head felt heavy. 

Suddenly, out of nowhere, a soft sound of footsteps emerged from the chaos and lingered in my ears. I looked around, frantically searching for the source. She appeared from the faceless crowd, her eyes smiling at me. I jumped up, ecstatic and out of my senses. I ran into the crowd, but she seemed far. I ignored the faint voices of someone calling me. I fixed my eyes on her. 

But after a while, I couldn’t see her anymore. Hazy figures of people walked across me. She had vanished just as easily she had appeared in my mind. Someone pushed me from behind and I fell down, unable to hold my balance. I realised I couldn’t see properly. Confusion and frustration clouded my senses as I heard the signal of the train. I glanced at my watch. It was 8:25.

I got up fast and ran ahead. The last bogie of the train I was supposed to be in whizzed past me. I stared at the departing train, benumbed.

II.

I sat up, dazed and gulped down a bottle of water on the side table. Breathing heavily, I switched on the lights. For a moment, I stood still, allowing my eyes to adjust to the light and my nerves to calm themselves. I was sweating profusely.

She was here. 

She was right here, standing beside my bed, peering at my face. Or was it a dream again? Why did she seem so real? 

I had first seen her in Kolkata, in my home as I slept. She appeared in my subconscious, smiling with her eyes. She was in Benares, standing in front of the Kashi Vishwanath Temple or that was what it seemed like. I couldn’t sleep for the next four days. 

She occupied every empty space in my mind. Her profound presence was driving me to the brink of insanity. On the fifth day, I took the train and reached Benares, resolved to find her. 

I didn’t tell anyone about her, because simply no one would believe how real she was and because she was sacred, just like the river Ganga. 

I didn’t dream of her for the first month of my stay in Benares. I had gotten frustrated and decided that I needed a physical manifestation, evidence of her existence or else I would go crazy. In a frenzied burst of emotions, I drew her from my memory. I was shocked at how well I still remembered her. 

When I completed it, she appeared in front of me again, colourful on the canvas. She was beautiful. 

When Shankar saw the painting, he at once remarked that it would bring a lot of money since I was a painter. 

“Not for sale,” I told him. 

Presently, I removed the veil from the painting on the easel in my room and looked at her. 

 Where are you?

III.

The next morning, Shankar asked me what I planned to do next. 

“Would it be inconvenient for you if I stay a few more weeks?” I asked bluntly. He looked lost for a few seconds.

 “No, of course not, Dada. What are you saying? You can stay here for as many weeks as you please. It would be a pleasure,” said Shankar. 

“We are usually three people only. Another person, that, too a family member would only enhance our days,” Sulekha, Shankar’s wife smiled at me. But I knew they were uncomfortable, rather frustrated at my weird behaviour. 

I followed a simple routine: I went out at precisely noon after having lunch; I roamed the area around the ghat and returned at 7 in the evening; I spent some time with my brother’s family and went to my room at 10. 

After two weeks of incessant search, I had little hope left of finding her. Nevertheless, I couldn’t deny the faint streak of optimism alive in heart, beating irregularly. The sense of stark hopelessness is too scary for me. 

Slowly, I had irked my brother to the point that one night he expressed his concerns. “Dada, you are obsessed?” It seemed like a statement more than a question so I chose not to answer. 

“You have an exhibition in a month! What are you going to show everyone? If you want to paint here, I can provide you with anything you want, but this cannot go on. Are you listening?” 

I looked at him. He was visibly annoyed. 

“I don’t feel like painting.” 

“You don’t feel? Cancel your exhibition. You would lose a lot of money, but you don’t care!” He left the room. 

Was I obsessed? 

It might be because my mind was not my own anymore. It tried to tell me something which I was not capable of understanding. Something was haunting me, tearing me apart and I didn’t know what.

That night, I couldn’t sleep. I was losing my mind. Extreme pain shot through every nerve. I could feel myself going down a quagmire, the sand pulling me in, the reality merging with illusion. I couldn’t recognise what was real anymore. I saw her often for mere seconds before she vanished into thin air every time. I couldn’t get out of bed for two days. The room was spinning. 

IV.

On the third day, I went out for a short walk to the ghat. The doctor had examined me the day before and said that I had had a nervous breakdown. 

The cool breeze that hit the crook of my neck soothed me. The Ganga appeared calm and serene. I lit a cigarette. 

Suddenly, I saw her standing in front of the Vishwanath Temple. The cigarette fell from my hand. 

My nerves panicked as I felt I would lose her again. I stood there, unable to move a single muscle. She turned around, her serene eyes calling me. I gulped down a lump at the back of my dry throat. 

She started walking down the ghat. I followed her. She turned down a narrow alley. I was careful not to be too close. She seemed too real. For a moment, I was euphoric realising she was real, that she had a physical existence. My bliss knew no bounds. A different kind of pain emerged in my mind and body. I knew nothing except her.

We walked through several narrow alleyways. She could surely sense me lingering behind her. 

I felt we had a relationship. We had a silent communion, a secret from everyone’s prying eyes. We had something sacred. 

Presently, we reached a cul-de-sac. She turned around. 

It was almost 6 in the evening. The sun was glistening at the horizon, sending streaks of red light around. She shimmered under the stream of the coruscating light.

 I loved her. I loved her more than anything else in this world. She was everywhere, in every atom. She was in me, she was me. 

She smiled divinely, her whole body sparkling. Her eyes moistened. She said something, silently. I could feel her. 

All of a sudden, she started walking towards me. I was frozen to the ground. I looked at her face. The white saree was draped across her chest. Her hands were poised and her head tilted towards the left. Her suave manner touched my heart. 

Slowly she came in front of me and didn’t stop. She came forward and passed through me. I was numb. 

Slowly, I turned around. She had vanished.

 V.

“Call me when you reach Kolkata,” Shankar called out. I nodded and waved at him. 

The train departed from the Mughal Sarai railway station. It had been a week since my encounter with her. Two nights later, I had found a photograph which had fallen from my diary.

It was a twenty-year-old picture from when I was just ten years old. I was smiling, an innocent smile of pure happiness. Standing beside me was Tara, my childhood friend, who had died ten years ago when our life was just about to begin.

My hands were shaking when I looked into her eyes. Her smile was divine, bearing a striking resemblance to the one I had witnessed just two days ago. 

I had decided that I would return to Kolkata and start painting again. 

The voice of a hawker brought me back to reality. The breeze hit my face. The trees, houses and the people seemed to be running in the opposite direction. 

I smiled. 

I opened the bag that carried my Canvas and other essentials for painting. I took out the painting and looked at it. I wasn’t surprised when I found the Canvas empty. 

Glossary
1 A broad flight of stairs leading down to a river.
2 The main ghat of religious importance in Benares on the Ganga river.
3 Traditional clothing for Indian women.
4 Brother

Ramyani Bhattacharya is a 19-year-old student at South Point High School, Kolkata. Being an introvert, writing is her escape. She has her own blog at WordPress.com which receives a good response. She is an avid reader and has more than one favourite writer. Nevertheless, Paulo Coelho and Gabriel Garcia Marquez are closest to her heart. 

Short Fiction | ‘There is Sand in My Eye’ by Bhavyakirti Singh (18) | Student Writing

I live in a small city.

Not geographically, of course. My universe is not all that the light touches but just about what my eyes meet. You could say that it would not be much of a task for me to easily disappear in a somewhat upper-middle-class crowd. 

Having a comfortable life isn’t something that I’m ungrateful for, but I cannot help but wonder what changes the adventures of discomfort would bring about in me. Would I still be the way that I understand myself to be? Would I like the same things? This unending list of questions runs parallel with the scientific ‘nature v. nurture’ debate, for which I cannot and must not present my arguments, for it is only ridicule that will come my way if I choose to speak without knowing all the intricacies of this deeply philosophical debate. 

Realistically, ridicule would follow regardless. I could know the most about something, yet not everything; not enough to answer any fool who forces me into silence through repeated renditions of ‘why’ or ‘why not’. It is almost as if the title of Hannah Montana’s 2006 track ‘Nobody’s Perfect’ has finally started making sense to me. While being a self-proclaimed libertarian and intellectual, I must confess that my political ideology–as I understand a facet of it to mean ‘recognising imperfections’–sometimes really tires my mind. I feel like my contemporaries understand it to mean that we all have a positive imperative to criticise, for what imperfections will we embrace or accept if there aren’t any? Of course, anything perfect is divine, and therefore, we must refuse to believe in it.

This takes me back to a moment when I thought about a girl who studied in my school a couple of years ago. I had been scrolling through Instagram, a staple habit utilising one hand while the other reached out into and scooped dry granola from a dirt filmed bag. Repetition is good and I believe that it is healthy to stick to a carefully constructed, sustainable routine that incorporates all the bare essentials of survival while encouraging oneself to cultivate Mill’s greater pleasures. 

I believe that I am a somewhat observant person, tending to recollect irrelevant statements made by people in the past while staring blankly at a test or the gravel on the road during my walk back home. You might think that this revelation about my personality is unnecessary, but, in fact, you will soon discover that it is increasingly essential to the thought I had about that girl. 

Now, with partial concentration on social media, I came across a little “artsy feed” op-ed that she had written and posted. The long and the short of the matter was that she was (and according to my estimate, still is) an active dissenter of the current political establishment and strongly believed that Mussolini’s Fascism had been reborn in the East. To avoid any confusion, by using the term ‘active’, I refer to the green dot that appears under her profile picture in the “Direct Message” tab.

As my concentration wavered to pick up a rice crisp that had escaped my palm-boat, I remember her forbidding us, the rest of her classmates, from making our ninth-grade political science projects on the previous ruling government. They were highly incompetent and shied away from being answerable to the public that had put them there. Each drop of water makes the ocean what it is. Dissatisfied drops dry up oceans into ornamental lakes that rain somewhere else.

You’ll be surprised to know it goes deeper than that. Both her parents and her elder sister have been under the employment of some or the other government department for a couple of decades now. I had always assumed that their stance would be apolitical and the same would trickle down to the progeny, as it did for the elder sibling, but I have now discovered that teenage angst and environment aren’t as correlated. As a waning teen in the midst of angst recovery myself, I must say that even I, frequently, am not able to tackle this emotion. WikiHow suggests journaling, but somehow, unfortunately, with a twist of fate and a dash of bad-luck for having been born into a family with a lack of polyglots, there are too few words for what I feel and too many that I’ll never need. I will probably spend the rest of my life wondering which language would possess the spot-on terms and phrases for what I mean to say.

This girl, to me, now seems like she just never grew out of the phase where all of us Wattpad-intoxicated early pubescent individuals refused to believe that our lives were anything less than a tragic novella bound in leather with golden embossments brushed near the title, carrying a disclaimer of “soon to be a major motion picture” on the bottom right hand corner. The quintessential in that novel would be the arch-nemesis, a girl who hides her insecurities by drawing out others’. Why this secondary character is an important mention here is because there is a great possibility that it may be I, for having spitefully revealed her identity to all my readers without her having impacted me personally. I can soon expect a “BYE SISTER” James Charles equivalent Instagram caption accompanied by a make-up free face close up. This one, though, let me assure you, will be sprinkled with a lot more legal jargon. I should be prepared for the eventuality and expect terms akin to ‘defamation’ and ‘invading right to privacy’ to waft into the internet in a matter of days.

Funnily enough, I also know someone who supports everything that the government does because opposers and dissenters are too irritating with all their angsty Instagram posts.

“They’re just…not cool, bro.”

***

I am also acquainted with a pair of twins whom I currently keep in my company. The boy takes pride in having been born a few minutes prior. Any conversation propelled by this proposition is always an entertaining feature for me on account of my silent assessments of the worth of such fruitless debates. Oft, my mind even begs to be freed of vapid conversational fetters like these that hold me back from my ultimate intellectual release. 

You might wonder then, why I choose to roam with such fellows. As a youngling, I was afraid of jigsaw puzzles. With the advancement of my physical and mental capabilities, alongside the boom of technology, I grew afraid of arcade computer games instead. Then, these morphed into physics problems, ‘think better, think smarter’ workshops and internet dress illusions. The crushing reality of the fact that I was incapable of doing certain things and feeling like I had been rendered utterly helpless hit me hard. I blamed Hannah Montana, for I have always been told that you are what (content) you consume and she had poisoned my ability to know it all. One extraordinary morning, as I opened my eyes to a family WhatsApp group notification, I found my antidote. To this date, I remain deeply grateful for that TEDx video even though I had to miss an important morning lecture for the same. But what is a missed course lecture in context to the grand scheme of life that was envisaged for me? Absolutely nothing, of course. 

My antidote, as I had found, was perseverance and challenging oneself and pushing one’s boundaries. You might find some comedic relief in this due to its sheer triteness, but there is a two-pronged answer as to why this was so novel to me. One, I have always gotten almost everything with little to no effort. You could say that the universe is greatly imbalanced in my favour. Two, you have absolutely no idea how much I have needed to push my boundaries to maintain healthy companionship with the twins. It wasn’t only a push there, it was a complete uprooting. My boundaries–made of a soft, elastic yet unconquerable material were being replaced with Styrofoam that the Wicked Wolf could eradicate by breathing near it. It was worse than straws. I was unprotected in a world where individuals exhaled stupidity.

The boy is a giggly fellow, smiling at everything and loving everyone. Do not, I repeat, do not take this to mean that he has a sunny disposition towards life, for his dark moments of ego and slime may be much worse than yours. He, a music connoisseur, is of the sort that would look down upon you for having Ariana Grande and Billie Eilish in your library. When I told him that I have put my musical education on hold, the distaste emitting from his aura was a bitterness I can still taste in my mouth. A proud addict, it seems.

I had visited their apartment one summer break when both their parents were away. The house had a minimalist glow, in sharp contrast with the personalities of the children that had grown up there. The entrance hallway contained a befitting and classic canvas piece imported from abroad. The upper half of the painting moulded into the wall with colour sprayed only along one corner at the bottom. I guess it isn’t modern art if the canvas has more colour than blank space. I silently laughed at the thought of an alternate universe where the trend started due to a poor artist with an unusually large canvas, or a clumsy one who had gotten up for a tea break and spilt the last lot of her uniquely blended colours. 

The girl invited me into her room and I was pleasantly surprised by her hospitality. She had placed some snacks and wine on a tray on a wooden breakfast table, a meal elaborately laid out for me. We settled in and got to talking as I made myself comfortable in her quarters. 

My gaze wandered to a picture on her bedside, a photograph of her from many years ago. I never understood people who possessed frames of themselves. That being said, I don’t mean to say that I am unable to comprehend the human attachment to photographs, just not to those of oneself. Having noticed a slight trail in my speaking, she proceeded to tell me about the time she inspected all the flowers in the community park as her mother merrily clicked away in the enchanting delight of an infant’s company. 

“My God, we were such curious children.”

I told her curiosity dies with age and ultimately killed the cat. The girl countered my argument by asserting that her inner curiosity is not dead. When she saw a meme on the internet about a photoshopped nail driven into a car’s wheel, she googled what it would actually look like. She is now the proud owner of knowledge of what a nail piercing into a rubber wheel looks like. She now has the skills to identify it anywhere, except for when it is placed at the tangential point where the wheel meets the road. Over there, it cannot be seen by the naked eye. 

See, sure, real-life and people teach you things, but the internet teaches you so much more. The difference is a great deal. I could admit that her vast knowledge of topics like these was infectious. Only in her company did I get to learn so much. A new dialect even, if not a language. Were you aware that a loud ‘kee-yusmi’ emitting from the oral aperture of a human female loosely translates to a polite ‘excuse me’?

It is almost as good as scrolling through a list of beautiful untranslatable words in a foreign language. It is true–the meaning of a word is not restricted to the way it is used in a sentence. Even with my surprising lack of linguistic understanding and expertise, I can tell that a word contains the emotion of every single person who has ever used it. Keeping in mind relevant social distinctions and society specific experiences, if a word has been used by individuals belonging to only one society or ethnic group, no one outside of it can even begin to understand it without feeling an influence of the originators. The specific experiences that a society had to endure just to give certain meaning and emotion to a word will always shadow it, wherever it may go and whoever may use it. 

An outsider’s usage creates a grey area but not without impacting both sides. The outsider increasingly becomes a part of the community; the word gradually loses the mystical emotion behind it and eventually gets reduced to a Dictionary.com definition–a fancy term to replace bland ones on school essays. Universalised words though, like the ones that make up most of my vocabulary: no value. No wonder we’re asked to use them properly. 

As the evening came to a close, the boy came to drop me downstairs to ensure I got into the cab safely. As a parting comment, I gestured to the sky and told him that they had a very bright streetlight. He giggled at my foolishness and told me it was the moon. I asked him how he knew if he’d never flown up there. 

In conclusion, therefore, it is important for us to have a single, long and continuous chain of thought so as not to appear unsure of ourselves.

Bhavyakirti Singh, 18, is an incoming third-year student, reading law at National Law University, Jodhpur. She is greatly interested in writing poetry, satirical fiction and social commentary, often with the help of a pompous narrator based loosely on herself. She also writes literature reviews and academic pieces. In her free time, she likes to read William Carlos Williams, Jane Austen and Sylvia Plath.

Poetry | ‘Clueless Nights’ by Ashaani Taneja (15) | School Student Writing

I sat on the muddy brown boulders,
to watch the sun go down,
to see the beautiful night,
I felt the calmness as my hair swayed with wind,
and my wings, which were collapsed earlier,
rose and flapped in the wind,
cutting the current with its black feathers,
which came out of my wings,
blew towards the setting sun.
Through the cracks in the gold glazed sky,
I saw the rest of the angels,
swooshing through the air,
as if all they were trying was,
to convey their freedom to the captured.
I roamed the streets at nights,
every night with hidden wings,
acknowledging the most mundane things,
for who knew where I was to next,
I snuck into nightclubs,
and followed couples on their romantic walks,
wondering, did I not deserve the memories of love?
Sometimes strangers crossed paths with the moon,
reflecting black wings of their own in the shadows,
leaving traces of the fallen and so did I,
or at least I thought that I did.
Incidentally, when I crossed paths with the moon,
my wings started flapping,
and shone white under the natural moonlight,
I bolted up in the sky, almost reached the cracks,
and looked down to wonder,
What was I doing all these clueless nights?

Ashaani Taneja is a 15 year old writer. She published her book, ‘Bad Blood Frenemies’ for which she won The Most Promising Author award at the Dehradun Literature Festival. A poem from her collection, ‘Breath’ has been published online in the Indian Periodical.

Fiction | The Strange-Looking Man | Fanny Kemble Johnson | Classical Archives

Book: The Best Short Stories of 1917
Piece: The Strange-Looking Man
Year: 1917
Author: Fanny Kemble Johnson

Set against the backdrop of World War 1, this unconventional anti-war short story focuses on the social and cultural repercussions of war as opposed to the usual battlefield. “The Strange-Looking Man” by Fanny Kemble Johnson challenges the idea of normalcy. It follows a three-year-old boy living in a war-ravaged country as he grapples with the status quo ante and his own understanding of the world. Johnson expertly blurs the line between normal and abnormal to create a narrative that is equally haunting and heart-wrenching.

“The Strange-Looking Man” was powerful in shifting the conversation from the economic and political results of the war to the emotional, mental, and human ones. Johnson was one of the first female authors to publicly criticise the War and insert women in the discussion.

A TINY village lay among the mountains of a country from which for four years the men had gone forth to fight. First the best men had gone, then the older men, then the youths, and lastly the school boys. It will be seen that no men could have been left in the village except the very aged, and the bodily incapacitated, who soon died, owing to the war policy of the Government which was to let the useless perish that there might be more food for the useful.

Now it chanced that while all the men went away, save those left to die of slow starvation, only a few returned, and these few were crippled and disfigured in various ways. One young man had only part of a face, and had to wear a painted tin mask, like a holiday-maker. Another had two legs but no arms, and another two arms but no legs. One man could scarcely be looked at by his own mother, having had his eyes burned out of his head until he stared like Death. One had neither arms nor legs, and was mad of his misery besides, and lay all day in a cradle like a baby. And there was a quite old man who strangled night and day from having sucked in poison-gas; and another, a mere boy, who shook, like a leaf in a high wind, from shellshock, and screamed at a sound. And he too had lost a hand, and part of his face, though not enough to warrant the expense of a mask for him.

All these men, except he who had been crazed by horror of himself, had been furnished with ingenious appliances to enable them to be partly self-supporting, and to earn enough to pay their share of the taxes which burdened their defeated nation.

To go through that village after the war was something like going through a life-sized toy-village with all the mechanical figures wound up and clicking. Only instead of the figures being new, and gay, and pretty, they were battered and grotesque and inhuman.

There would be the windmill, and the smithy, and the public house. There would be the row of cottages, the village church, the sparkling waterfall, the parti-colored fields spread out like bright kerchiefs on the hillsides, the parading fowl, the goats and cows,–though not many of these last. There would be the women, and with them some children; very few, however, for the women had been getting reasonable, and were now refusing to have sons who might one day be sent back to them limbless and mad, to be rocked in cradles–for many years, perhaps.

Still the younger women, softer creatures of impulse, had borne a child or two. One of these, born the second year of the war, was a very blonde and bullet-headed rascal of three, with a bullying air, and of a roving disposition. But such traits appear engaging in children of sufficiently tender years, and he was a sort of village plaything, here, there, and everywhere, on the most familiar terms with the wrecks of the war which the Government of that country had made.

He tried on the tin mask and played with the baker’s mechanical leg, so indulgent were they of his caprices; and it amused him excessively to rock the cradle of the man who had no limbs, and who was his father.

In and out he ran, and was humored to his bent. To one he seemed the son he had lost, to another the son he might have had, had the world gone differently. To others he served as a brief escape from the shadow of a future without hope; to others yet, the diversion of an hour. This last was especially true of the blind man who sat at the door of his old mother’s cottage binding brooms. The presence of the child seemed to him like a warm ray of sunshine falling across his hand, and he would lure him to linger by letting him try on the great blue goggles which he found it best to wear in public. But no disfigurement or deformity appeared to frighten the little fellow. These had been his playthings from earliest infancy.

One morning, his mother, being busy washing clothes, had left him alone, confident that he would soon seek out some friendly fragment of soldier, and entertain himself till noon and hunger-time. But occasionally children have odd notions, and do the exact opposite of what one supposes.

On this brilliant summer morning the child fancied a solitary ramble along the bank of the mountain-stream. Vaguely he meant to seek a pool higher up, and to cast stones in it. He wandered slowly straying now and then into small valleys, or chasing wayside ducks. It was past ten before he gained the green-gleaming and foam-whitened pool, sunk in the shadow of a tall gray rock over whose flat top three pine-trees swayed in the fresh breeze. Under them, looking to the child like a white cloud in a green sky, stood a beautiful young man, poised on the sheer brink for a dive. A single instant he stood there, clad only in shadow and sunshine, the next he had dived so expertly that he scarcely splashed up the water around him. Then his dark, dripping head rose in sight, his glittering arm thrust up, and he swam vigorously to shore. He climbed the rock for another dive. These actions he repeated in pure sport and joy in life so often that his little spectator became dizzy with watching.

At length he had enough of it and stooped for his discarded garments. These he carried to a more sheltered spot and rapidly put on, the child still wide-eyed and wondering, for indeed he had much to occupy his attention.

He had two arms, two legs, a whole face with eyes, nose, mouth, chin, and ears, complete. He could see, for he had glanced about him as he dressed. He could speak, for he sang loudly. He could hear, for he had turned quickly at the whir of pigeon-wings behind him. His skin was smooth all over, and nowhere on it were the dark scarlet maps which the child found so interesting on the arms, face, and breast of the burned man. He did not strangle every little while, or shiver madly, and scream at a sound. It was truly inexplicable, and therefore terrifying.

The child was beginning to whimper, to tremble, to look wildly about for his mother, when the young man observed him.

“Hullo!” he cried eagerly, “if it isn’t a child!”

He came forward across the foot-bridge with a most ingratiating smile, for this was the first time that day he had seen a child and he had been thinking it remarkable that there should be so few children in a valley, where, when he had travelled that way five years before, there had been so many he had scarcely been able to find pennies for them. So he cried “Hullo,” quite joyously, and searched in his pockets.

But, to his amazement, the bullet-headed little blond boy screamed out in terror, and fled for protection into the arms of a hurriedly approaching young woman. She embraced him with evident relief, and was lavishing on him terms of scolding and endearment in the same breath, when the traveler came up, looking as if his feelings were hurt.

“I assure you, Madam,” said he, “that I only meant to give your little boy these pennies.” He examined himself with an air of wonder. “What on earth is there about me to frighten a child?” he queried plaintively.

The young peasant-woman smiled indulgently on them both, on the child now sobbing, his face buried in her skirt, and on the boyish, perplexed, and beautiful young man.

“It is because he finds the Herr Traveler so strange-looking,” she said, curtsying. “He is quite small,” she showed his smallness with a gesture, “and it is the first time he has even seen a whole man.”

Poetry | Slavery (from ‘The Task’) by William Cowper | Classical Archives

William Cowper (1731–1800) revolutionised the act of allyship in the 18th century through his poems. Seen as his supreme achievement, The Task: A Poem, in Six Books became one of the first imminent written attacks on slavery and support of the Abolitionist campaign by a White author. Published in 1785, Cowper uses this poem as call for freedom and liberty for slaves while effectively undermining the very system of oppression that has long existed in the United Kingdom and United States. He affirms that slavers have no real need for slaves, appealing to both the rational and emotional in his readers to paint a heart-wrenching image.

The Task was an outrageous and bold publication of its time. As a White man, his outspoken support for the Blacks and criticism of the slave trade at its height was a scandalous move in English society. His poems would go on to be quoted by Martin Luther King Jr. during the 20th century civil rights movement. It’s a must read for everyone interested in the history of slavery and Abolitionist movement all over the world.

Slavery.‌ ‌
From‌ ‌“The‌ ‌Timepiece”:‌ ‌‌The‌ ‌Task,‌ ‌‌BK.‌ ‌II.‌ ‌
William‌ ‌Cowper‌ ‌
1785‌ ‌
 ‌
O‌ ‌for‌ ‌a‌ ‌lodge‌ ‌in‌ ‌some‌ ‌vast‌ ‌wilderness,‌ ‌
Some‌ ‌boundless‌ ‌contiguity‌ ‌of‌ ‌shade,‌ ‌
Where‌ ‌rumor‌ ‌of‌ ‌oppression‌ ‌and‌ ‌deceit,‌ ‌
Of‌ ‌unsuccessful‌ ‌or‌ ‌successful‌ ‌war,‌ ‌
Might‌ ‌never‌ ‌reach‌ ‌me‌ ‌more!‌ ‌My‌ ‌ear‌ ‌is‌ ‌pained,‌ ‌
My‌ ‌soul‌ ‌is‌ ‌sick,‌ ‌with‌ ‌every‌ ‌day's‌ ‌report‌ ‌
Of‌ ‌wrong‌ ‌and‌ ‌outrage‌ ‌with‌ ‌which‌ ‌earth‌ ‌is‌ ‌filled.‌ ‌
There‌ ‌is‌ ‌no‌ ‌flush‌ ‌in‌ ‌man's‌ ‌obdurate‌ ‌heart;‌ ‌
It‌ ‌does‌ ‌not‌ ‌feel‌ ‌for‌ ‌man;‌ ‌the‌ ‌natural‌ ‌bond‌ ‌
Of‌ ‌brotherhood‌ ‌is‌ ‌served‌ ‌as‌ ‌the‌ ‌flax,‌ ‌
That‌ ‌falls‌ ‌asunder‌ ‌at‌ ‌the‌ ‌touch‌ ‌of‌ ‌fire.‌ ‌
He‌ ‌finds‌ ‌his‌ ‌fellow‌ ‌guilty‌ ‌of‌ ‌a‌ ‌skin‌ ‌
Not‌ ‌colored‌ ‌like‌ ‌his‌ ‌own,‌ ‌and,‌ ‌having‌ ‌power‌ ‌
To‌ ‌enforce‌ ‌the‌ ‌wrong,‌ ‌for‌ ‌such‌ ‌a‌ ‌worthy‌ ‌cause‌ ‌
Dooms‌ ‌and‌ ‌devotes‌ ‌him‌ ‌as‌ ‌his‌ ‌lawful‌ ‌prey.‌ ‌
Lands‌ ‌intersected‌ ‌by‌ ‌a‌ ‌narrow‌ ‌frith‌ ‌
Abhor‌ ‌each‌ ‌other.‌ ‌Mountains‌ ‌interposed‌ ‌
Make‌ ‌enemies‌ ‌of‌ ‌nations,‌ ‌who‌ ‌had‌ ‌else‌ ‌

Like‌ ‌kindred‌ ‌drops‌ ‌been‌ ‌mingled‌ ‌into‌ ‌one.‌ ‌
Thus‌ ‌man‌ ‌devotes‌ ‌his‌ ‌brother,‌ ‌and‌ ‌destroys;‌ ‌
And,‌ ‌worse‌ ‌than‌ ‌all,‌ ‌and‌ ‌most‌ ‌to‌ ‌be‌ ‌deplored‌ ‌
As‌ ‌human‌ ‌nature's‌ ‌broadest,‌ ‌foulest‌ ‌blot,‌ ‌
Chains‌ ‌him,‌ ‌and‌ ‌tasks‌ ‌him,‌ ‌and‌ ‌exacts‌ ‌his‌ ‌sweat‌ ‌
With‌ ‌stripes,‌ ‌that‌ ‌Mercy,‌ ‌with‌ ‌a‌ ‌bleeding‌ ‌heart,‌ ‌
Weeps,‌ ‌when‌ ‌she‌ ‌sees‌ ‌inflicted‌ ‌on‌ ‌a‌ ‌beast.‌ ‌
Then‌ ‌what‌ ‌is‌ ‌man?‌ ‌And‌ ‌what‌ ‌man,‌ ‌seeing‌ ‌this,‌ ‌
And‌ ‌having‌ ‌human‌ ‌feelings,‌ ‌does‌ ‌not‌ ‌blush,‌ ‌
And‌ ‌hang‌ ‌his‌ ‌head,‌ ‌to‌ ‌think‌ ‌himself‌ ‌a‌ ‌man?‌ ‌
I‌ ‌would‌ ‌not‌ ‌have‌ ‌a‌ ‌slave‌ ‌to‌ ‌till‌ ‌my‌ ‌ground,‌ ‌
To‌ ‌carry‌ ‌me,‌ ‌to‌ ‌fan‌ ‌me‌ ‌while‌ ‌I‌ ‌sleep,‌ ‌
And‌ ‌tremble‌ ‌when‌ ‌I‌ ‌wake,‌ ‌for‌ ‌all‌ ‌the‌ ‌wealth‌ ‌
That‌ ‌sinews‌ ‌bought‌ ‌and‌ ‌sold‌ ‌have‌ ‌ever‌ ‌earned.‌ ‌
No;‌ ‌dear‌ ‌as‌ ‌freedom‌ ‌is,‌ ‌and‌ ‌in‌ ‌my‌ ‌heart's‌ ‌
Just‌ ‌estimation‌ ‌prized‌ ‌above‌ ‌all‌ ‌price,‌ ‌
I‌ ‌had‌ ‌much‌ ‌rather‌ ‌be‌ ‌myself‌ ‌the‌ ‌slave,‌ ‌

And‌ ‌wear‌ ‌the‌ ‌bonds,‌ ‌than‌ ‌fasten‌ ‌them‌ ‌on‌ ‌him.‌ ‌
We‌ ‌have‌ ‌no‌ ‌slaves‌ ‌at‌ ‌home.—Then‌ ‌why‌ ‌abroad?”‌ ‌
And‌ ‌they‌ ‌themselves,‌ ‌once‌ ‌ferried‌ ‌o'er‌ ‌the‌ ‌wave‌ ‌

That‌ ‌parts‌ ‌us,‌ ‌are‌ ‌emancipate‌ ‌and‌ ‌loosed.‌ ‌
Slaves‌ ‌cannot‌ ‌breathe‌ ‌in‌ ‌England;‌ ‌if‌ ‌their‌ ‌lungs‌ ‌
Receive‌ ‌our‌ ‌air,‌ ‌that‌ ‌moment‌ ‌they‌ ‌are‌ ‌free;‌ ‌
They‌ ‌touch‌ ‌our‌ ‌country,‌ ‌and‌ ‌their‌ ‌shackles‌ ‌fall.‌ ‌
That's‌ ‌noble,‌ ‌and‌ ‌bespeaks‌ ‌a‌ ‌nation‌ ‌proud‌ ‌
And‌ ‌jealous‌ ‌of‌ ‌the‌ ‌blessing.‌ ‌Spread‌ ‌it‌ ‌then,‌ ‌
And‌ ‌let‌ ‌it‌ ‌circulate‌ ‌through‌ ‌every‌ ‌vein‌ ‌
Of‌ ‌all‌ ‌your‌ ‌empire;‌ ‌that,‌ ‌where‌ ‌Britain's‌ ‌power‌ ‌

Is‌ ‌felt,‌ ‌mankind‌ ‌may‌ ‌feel‌ ‌her‌ ‌mercy‌ ‌too.‌ ‌