Looking at his previous drawings and paintings, one can trace his layered efforts first to master the human anatomy as a structure made of flesh and skin and bones (by depicting nearly naked, sometimes life-sized bodies), then to reflect different moods and emotions on their skins (by shedding strong chromatic lights onto bodies and faces) and, ultimately, to explore the interaction among humans and between humans and their real or imagined surrounding spaces; spaces that are often so cold and claustrophobic that the viewer might associate them with the inside of a coffin or a morgue. Khezri’s works are also playfields for contrasting warmer and cooler tones, a strong visual language of vertical versus horizontal in often static, lying positions of the figures, as well as the tension between organic body forms, straight lines and mostly rectilinear geometric shapes.
Moslem Khezri was born in 1984 in Kerman, Iran and is a painter and a university lecturer. He holds an MA in Painting from Tarbiat Modares University in Tehran and a BA in Painting from the University of Sistan and Baluchestan in Zahedan. His paintings were featured in many solo and group exhibitions in Iran and abroad, for example in the 2020 Art Dubai and in the 2019 Art Feast 7 in Tehran.